Confederate Monuments: Where Are They Now?

According to the latest SPLC tally, there are roughly 780 Confederate monuments standing across the U.S.That’s a staggering number of tributes to the losing side of a treasonous insurrection; a war that ended not with a treaty, but with the South’s full surrender. More importantly, those statues honor people who fought for a nation founded to preserve black enslavement—a fact enshrined in its Constitution, its member states’ declarations of reasons for secession, its vice president’s most famous speech. It’s no wonder that white supremacists of every stripe—from the neo-Nazis who occupied Charlottesville to the man who currently occupies the executive office—are so fiercely defensive of them.

As Trump and the violent racists in his base contribute to an atmosphere of fear and hatred, one in which white racial terror violence is on the rise, the need to take down Confederate monuments has gained even greater urgency. Since the 2015 white supremacist murder of nine black parishioners in Charleston—a horrific meeting of America’s gun and race problems—114 monuments have been removed in cities from Brooklyn to Durham to Dallas. Yes, that’s a mere fragment of the total number of Confederate monuments. But communities across the country are currently embroiled in fights to remove white supremacist symbols from their public spaces, and few of those battles make it to the national press.

Below is an overview of the status of just a few Confederate monuments around the country.

Confederate-Named Army Bases: There are 10 Army bases in the South named for Confederate soldiers. Fort Gordon is named for General John Brown Gordon, the reputed head of the Reconstruction-era Ku Klux Klan in Georgia; Virginia’s Fort Lee honors Robert E. Lee, the man who led the treasonous fight to maintain black enslavement. In late July, the League of United Latin American Citizens proposed that Texas’s Fort Hood—currently named for John Bell Hood, who ditched the U.S. Army to take up arms for the insurrectionist Confederacy—be renamed for Special Forces Master Sgt. Roy Benavidez, a Texas native who received the Medal of Honor and five Purple Hearts for his service during the Vietnam War. Military news outlet Stars and Stripes notes that LULAC’s proposal “will go to the secretary of the Army then to the appropriate committees in Congress.” In related news, an amendment to the House version of the 2020 National Defense Authorization Act would prohibit the Pentagon from naming any assets after Confederates going forward.

District of Columbia: The statue of Confederate General Albert Pike in D.C. stands on National Park Service grounds. On July 30, Congressional Delegate Eleanor Holmes Norton introduced legislation to remove the statue from the plot of federal land it currently occupies. Instead, Norton is advocating for the rendering of Pike to be moved to a museum, or some other place it can be properly contextualized. She notes that the Freemasons, who funded the statue’s placement back in 1901, have co-signed her call for removal. A press release on Norton’s website declares that Pike “was a Confederate general who served dishonorably and was forced to resign in disgrace. It was found that soldiers under his command mutilated the bodies of Union soldiers, and Pike was ultimately imprisoned after his fellow officers reported that he misappropriated funds. Adding to the dishonor of taking up arms against the United States, Pike dishonored even his Confederate military service. He certainly has no claim to be memorialized in the nation’s capital. Even those who do not want Confederate statues removed will have to justify awarding Pike any honor, considering his history.”

Georgia: In 2010 the Georgia General Assembly passed a law that prohibits the removal of Confederate monuments. (Nearly identical “Heritage Laws” exist in Alabama, Mississippi, North Carolina, South Carolina, Tennessee and Virginia.) In April 2019, Governor Brian Kemp signed a bill that made relocation of Confederate statues, even to museums, illegal, and increased penalties for those caught protesting Confederate markers using defacement. Legislators in Atlanta—the blue dot in this Confederate-obsessed red sea—recently announced that they plan to put up plaques that add historical context about slavery next to four of the city’s Confederate markers. “This monument should no longer stand as a memorial to white brotherhood,” one sign notes; “rather, it should be seen as an artifact representing a shared history in which millions of Americans were denied civil and human rights.”

Tennessee: In 2017, the lawmakers in Memphis undertook a brilliant political strategy to circumnavigate the state’s repressive “Heritage Law” that prevents the removal of Confederate monuments. The law prohibits removal of Confederate statuary on public grounds, so city legislators sold two downtown parks to a private nonprofit for just $1,000 each. This allowed for the successful removal of statues honoring Confederate President Jefferson Davis and General Nathan Bedford Forrest, the first grand wizard of the Ku Klux Klan. The Sons of Confederate Veterans (a neo-Confederate group) are currently trying to convince a court to force the return of the statues. In the meantime, the statues are sitting in storage while a new site for them is chosen.

Louisiana:

New Orleans: Formed in 2014, Take ’Em Down NOLA was the primary organizing entity behind the movement to take down New Orleans’ Confederate statues. In June 2015, following the massacre of nine black church parishioners in Charleston, South Carolina, Mayor Mitch Landrieu publicly called for the removal of a statue of Robert E. Lee; the next month he officially tasked the City Council to begin the legal processes necessary to remove the statues. In December of that year, the Council voted 6-1 to remove four statues that glorified the Confederacy. They remained up until May 2017, their takedown forestalled by lawsuits filed by “preservationist” groups, as well as the Sons of Confederate Veterans. Those suits failed in federal court. The Confederate statues came down over 25 days in April and May 2017. Among the conditions of removal was a clause that the statues could never again be displayed outdoors on public grounds in New Orleans. The statues are currently in a city storage facility.

Shreveport: The Shreveport, Louisiana, chapter of the United Daughters of the Confederacy (UDC) appealed a federal judge’s 2017 decision to dismiss their lawsuit to keep up a Confederate monument in front of a local courthouse. In April 2019, the UDC lost their case.

North Carolina:

Chapel Hill: North Carolina’s Heritage Law was passed in July 2015, roughly a month after the Charleston church massacre, a hasty and transparent effort to protect the state’s racist Confederate statuary from the groundswell of calls for removal. The law made efforts to remove the UNC-Chapel Hill Confederate statue known as “Silent Sam”—which student and local anti-racist activists had been legally trying to take down for over five decades—yet more difficult. Inaction by UNC administration added to student outrage. In August 2018, community frustrations boiled over and the statue was toppled by a crowd of protesters. Since then, the school’s chancellor has stepped down and its Board of Governors has repeatedly punted on plans for the statue’s new permanent placement.

Winston-Salem: North Carolina’s 2015 Heritage Law prevents the removal of statues from public land, but has no say over markers on private property. After Winston-Salem Mayor Allen Joines made public his intent to remove a local Confederate marker, the United Daughters of the Confederacy (the group who erected a local Confederate statue), which had previously claimed ownership of marker, denied ownership in court papers to establish it as a public object protected by the law. The UDC sued the city, which moved forward with plans for removal on March 12, placing it in storage until it could be erected in the Salem Cemetery. A UDC lawsuit to have the marker put back failed in court. “It is a symbol of oppression and the subjugation of the African-American people and so it’s hurtful to many in our community,” Mayor Joines told news outlets. The city has announced plans that it will move the statue to a Confederate cemetery.

Texas:

Dallas: After 81 years, an equestrian statue of Confederate General Robert E. Lee was removed from a Dallas park in September 2017—one month after the white nationalist Unite the Right rally in Charlottesville. The statue sold in an online auction for $1.4 million to a buyer using the screen name “LawDude,” who was later identified as Texas law firm owner Ron Holmes.

Back in February 2019, the Dallas City Council voted 11-4 to take down the city’s Confederate War Memorial, a 60-foot-tall monument featuring statues of Confederate President Jefferson Davis and Generals Robert E. Lee, Stonewall Jackson and Albert Johnston. In the months that followed, the city’s Landmark Commission and Plan Commission would both concur with the Council’s vote, and a win seemed just over the horizon for Dallas anti-racist activists, who’ve worked tirelessly for years to bring the monument down. Unfortunately, two lawsuits in two different courts have stalled progress on removal. In recently filed court papers, the city argues against the contention that the statue must remain standing for its “protection.” The city’s brief notes that it is “not threatening to sell or destroy the Confederate Monument” but “only to have the monument safely removed and archivally stored.” In other words, it’ll be as safe in storage as it is in the park, where it’s currently covered by a tarp.

San Antonio: In 2017, the UDC chapter in San Antonio, Texas, filed a federal lawsuit against local officials after the City Council, following the racist violence in Charlottesville, voted to remove a Confederate monument from public property. It’s been nearly two years since the Confederate monument was removed from Travis Park, taken down in the dead of night after a 10-1 City Council vote. The suit is still being litigated; the statue is now in storage.

Florida:

Gainesville: The Alachua County Commission voted 4-1 to take down a Confederate monument known locally as “Old Joe” in 2017. After both a local history museum and the county’s Veterans Memorial Park refused to take it, the UDC—which erected the statue in 1904—stepped in to “save” the marker by taking it back and paying for its removal. It was removed by a construction crew on August 14, 2017, roughly 48 hours after the Unite the Right rally. According to the Gainesville Sun, the statue was relocated to the Oak Ridge Cemetery, a private graveyard near Rochelle, Florida. 

Lake County: The National Statuary Hall in the U.S. Capitol Building is a grand chamber filled with statues of noteworthy Americans, two submitted by each state. For the first time since the statue collection began in 1870, a U.S. state will be represented by a black American. Mary McLeod Bethune—educator, civil rights pioneer, antilynching advocate, adviser to President Franklin D. Roosevelt and founder of Bethune-Cookman University in Daytona Beach—will now be the figure depicting Florida. She will replace an outgoing statute of Confederate General Edmund Kirby Smith. In a highly controversial move, commissioners in Lake County, Florida, voted to take possession of the Confederate statue, despite intense outcry from residents. Per one local outlet, “Nine of the 14 municipalities in Lake County approved formal resolutions opposing the relocation of the statue.” According to the paper, “the Lake County Historical Society Museum intends to house the museum in a facility above the historic county jail.”

California: It’s a testament to the insidiousness of the Confederacy—if not the insurrectionist uprising, certainly the ideology—that California was once the home to many Confederate markers. Honorifics to Confederates included the Dixie School District just outside San Francisco (renamed Miller Creek Elementary School District just this past July) and the two sequoias in Sequoia National Park named for Robert E. Lee (both still standing, names unchanged). In 2004—again, 2004—the Sons of Confederate Veterans erected a nine-foot-tall monument honoring Confederates in Santa Ana Cemetery. The marker praised “the sacred memory of the pioneers who built Orange County after their valiant efforts to defend the Cause of Southern Independence.” In July, protesters showed their disdain for the granite marker using defacement, spray painting one side red and scrawling the word “racists” down its face. Less than a month later, on August 1, the monument was removed by the city and placed in storage. Orange County Cemetery District General Manager Tim Deutsch reportedly stated the protesters’ paint job had made the monument “an unsightly public nuisance.”

Missouri:

Kansas City: Days after the 2017 Unite the Right rally in Charlottesville, protesters defaced the “Loyal Women of the Old South” Confederate monument. A local chapter of the UDC “gifted” the statue to Kansas City in 1934; following the defacement, the group accepted an anonymous donor’s offer to remove the statue to prevent further harm. Then-Parks Director Mark McHenry told press that the monument was placed “in storage in an undisclosed location, not on park property.”

St. Louis: After Mayor Lyda Krewson publicly declared in 2017 the city’s intent to remove a Confederate memorial put up by the UDC in 1912, a local chapter of the group signed over ownership to the Missouri Civil War museum. The museum then successfully sued the city for custody of the structure. The director of the museum has noted that the removed structure had been “painted by protestors and the city’s resulting use of paint stripper damaged the work. It will be undergoing restoration.” The museum is ultimately looking for the right property to place it in, such as “a Civil War battlefield, a Civil War cemetery, or a museum property.”

Montana: Disgusted by the murderous violence in Charlottesville, members of the American Indian Caucus of the Montana Legislature drafted an open letter to appeal to state legislators to remove a Confederate memorial. “The fountain was commissioned by the United Daughters of the Confederacy, an organization that openly supported the white supremacist views and mission of the early Ku Klux Klan,” the letter noted. “This is the only Confederate monument in the northwestern United States.” The memorial—a fountain that sat for 101 years in the city’s Hill Park—was removed in on August 18, 2017. A group called the Equity Fountain Project put out a call for new designs to replace the old monument and raised the funds needed to build and maintain the marker. Citizens of Helena chose, via vote, the final fountain design, titled the “Sphere of Interconnectedness.” Equity Fountain Project head Ron Waterman expressed hopes the fountain will showcase the “values of equity and equality, diversity, respect, generosity and compassion, tolerance, service, peace and justice.” Once the new monument is placed, Montana will become the first city to remove and replace a Confederate marker.

Tennessee: The city of Franklin, Tennessee, has an ongoing lawsuit against the UDC to determine who owns the land in one local public park containing a Confederate monument erected by the UDC in the late 19th century. The UDC threatened legal action when Franklin city leaders announced plans to add markers recognizing African-American historical figures to the park. Despite those threats, the city is going forward with construction of the markers.

Maryland: For months, Baltimore’s political leaders debated the fate of its Confederate statuary. After the white supremacist violence at the Unite the Right rally, the city acted swiftly to remove those monuments, taking down four markers on the night of August 15 and the wee hours of the morning that followed. Those statues were placed in storage. A recent New York Times investigation notes that city officials are “asking for a detailed plan from anyone interested in acquiring” the monuments.

Virginia:

Charlottesville: The equestrian statues of Confederate Generals Robert E. Lee and Thomas “Stonewall” Jackson—rallying points for the neo-Nazis of the Unite the Right rally—still stand in two Charlottesville parks. The Charlottesville City Council voted to relocate the Lee statue in 2017 (a move the white supremacists cited to justify their violence), but the removal has been stalled by a lawsuit filed by 13 plaintiffs, including the Sons of Confederate Veterans. The judge in the case, who at intervals has made clear his Lost Cause-influenced view of Southern history, has often sided with the plaintiffs at critical points throughout the case. It is very likely that whatever the final decision in the case, the lawsuit will end up in the Virginia Supreme Court.

Hampton: In 1956—two years after the Supreme Court decision that legally desegregated Southern schools—the UDC funded an archway at Fort Monroe Army base in Hampton, Virginia, that decreed the area “Jefferson Davis Memorial Park.” As Virginia officials have more recently noted, the peninsula on which Fort Monroe is located was originally known as Point Comfort, where the first Africans enslaved in this country arrived in 1619. (Fort Monroe was decommissioned as a military base in 2011.) On August 6, “Jefferson Davis” was removed from the archway. The letters were donated to the Fort Monroe Casemate Museum.

Make It Right Project Brings Social Dance, Theater, and Storytelling to Charleston’s Confederate Monuments Struggle

The third event in the Standing/Still series was a special celebration on two fronts. First, the program was held on Juneteenth, the day commemorating the end of legalized black chattel slavery in the U.S. Secondly, the evening’s performance honored Millicent E. Brown, who was one of the first black students to integrate South Carolina’s all-white schools.

Dance Matters, a Charleston-based contemporary dance company, performed an exquisite series of selections from “Coming to Monuments,” which uses social dance, theater, and storytelling to unpack the history of Confederate monuments. The score includes text and music by Charleston poet laureate Marcus Amaker.

Later, the architects behind Charleston Reconstructed offered a beta tour of their new app, which allows users to reconfigure public spaces, with a particular emphasis on the Confederate monuments in Marion Square. The app employs “narrative film techniques and augmented reality to flip the power structures of the past, hoping to expose users to a range of perspectives about the value of monuments as they currently stand.”

Following the performance, the attendees walked to the Emanuel 9 Commemoration Committee’s “Prayers for America” candlelight vigil in the green space of the Gaillard Center.

Huge thanks to Bryan Granger and Mark Sloan of the Halsey Institute of Contemporary Art, who allowed us to host the event in the Hill Gallery, located in close proximity to the night’s vigil. Thanks also to Redux Contemporary Art Center, our partner in the Standing/Still series.

Photos and video of the event and the vigil that followed are below:

Calhoun Statue Effort Bolstered by TV and Newspaper Coverage

Last week, the Make It Right (MIR) Project continued its ongoing campaign to call out the racist Charleston monument to staunch pro-slavery advocate John C. Calhoun.

The South Carolina-focused initiative launched in April. On May 16, we held the second event in the Standing/Still performance series, which uses arts activism to call for the removal of the Calhoun marker and all symbols of white supremacy. Featured performers—all local Charleston artists—included musician and activist Benjamin Starr; actor and singer Nakeisha Daniel; historian Damon Fordham; and performer Javaron Conyers. The series is the result of a collaborative effort with Redux Contemporary Art Center.

In tandem with that work, MIR Director Kali Holloway wrote a powerful piece about South Carolina’s 2000 Heritage Law. In the article, which appeared in the Charleston City Paper, Holloway notes, “With the passage of that law, neo-Confederate state legislators successfully disenfranchised South Carolinians who oppose Confederate statuary, stripping entire communities of the political power to demand its removal. How fitting, in a kind of perfectly grim symmetry, that the same legislation that protects South Carolina’s Confederate monuments also disempowers the majority of its black citizens—just like the Jim Crow laws those markers celebrate.” To check out the piece in its entirety, visit the City Paper website.

The paper also ran its own coverage of MIR’s event and arts-focused partnership, noting our belief that “real change can come through arts activism because it provides a less didactic platform for people to express and consider potentially divisive issues.” Other local outlets covered the event and the initiative, including CBS television news affiliate Live 5 WCSC; ABC affiliate News 4; NBC affiliate News 2; and the right-leaning FITSNews.

Additionally, Rev. Joseph Darby—pastor of Morris Brown AME Church, vice president of the Charleston Branch of the NAACP, and an indispensable partner to MIR’s work in Charleston—wrote a timely Post and Courier piece that helped further bolster our efforts. Headlined “Calhoun Statue Should Not Stand in Prominent Public Space,” the piece notes that Calhoun was “a slaveholder who used his public offices to champion the right of the individual states to allow people to ‘own’ kidnapped Africans and their descendants, and who articulated his belief that my ancestors were an inferior species that somehow ‘benefited’ from being raped, beaten, castrated, maimed, tortured and lynched.”

You can read the piece in its entirety on the Post and Courier website.

The Make It Right Project and Redux Hold Performance at John C. Calhoun Monument to Call for Racist Statue’s Removal

The Standing/Still Series Uses Arts Activism Toward Social Justice

The Make It Right Project, in partnership with Redux Contemporary Art Center, will hold a performance event at the John C. Calhoun monument in Marion Square. This is the second event in the Standing/Still performance series, which uses arts activism to call for the removal of the racist Calhoun marker and all symbols of white supremacy. Featured performers include musician/activist Benjamin Starr; actor/singer Nakeisha Daniel; historian Damon Fordham; and performer Javaron Conyers.

WHAT:           Standing/Still performance series event presented by the Make It Right Project and Redux Contemporary Art Center

WHEN:          Thursday, May 16, 2019, at 6:30 p.m.

WHERE:        The John C. Calhoun monument in Marion Square, Calhoun St., Charleston, SC 29401

WHO:             Musician/activist Benjamin Starr; actor/singer Nakeisha Daniel; historian Damon Fordham; performer Javaron Conyers

The Make It Right Project

The Make It Right Project is dedicated to working with multiple groups—activists, artists, historians and media outlets—to take down Confederate monuments and tell the truth about history.

Make It Right Project’s Charleston Campaign Launch Puts Media Spotlight on Calhoun Statue

Last Thursday, April 11, the Make It Right Project launched its campaign to take down the John C. Calhoun monument in Charleston, South Carolina. The kick-off event was held at the Redux Contemporary Arts Center, which has partnered with MIR on an ongoing performance series, Standing / Still. The night featured a performance by Charleston Poet Laureate Marcus Amaker, DJ Samira Miché aka Sista Misses and artist Todd Anderson. Attendees included a cross-section of folks from Charleston’s arts, activist, academic, political and faith communities.

The Charleston Post and Courier covered the story, in a piece headlined “They Helped Bring Down Silent Sam. Their New Target: Charleston’s Calhoun Monument.

WCIV-ABC News 4 Charleston also ran a segment. Here, it’s critical to mention that the package was preceded by an anchor announcing that MIR had “led the charge” in the effort to take down Silent Sam, which was toppled in August 2018 by protesters. We want to be clear in stating that while we did work with numerous activists in Chapel Hill ahead of the monument’s removal, we do not take credit for “leading the charge.” Ahead of the statue’s takedown, MIR provided support—on several fronts—to those who have been fighting for years to take the monument down. Our work involves bolstering the efforts of those on the ground, many of whom have been tirelessly pursuing every path to removal.

Thanks to all of you who are a part of this fight.

Update, 4/22/19: ABC News’ WJBF NewsChannel 6 also covered the campaign. Additionally, coverage by the Associated Press was syndicated in more than 30 major U.S. publications.

Image credit: “John C. Calhoun — Marion Square Park Charleston (SC) 2012” by Ron Cogswell, CC BY 2.0, Flickr, modified from original. Design by Farida Sheralam.

Make It Right Project Launches Campaign Against Calhoun Statue in Charleston

Last week, we held our kickoff event for the Make It Right Project’s campaign to take down the racist John C. Calhoun monument in Charleston, South Carolina. Photos from the event, along with a wonderful Post and Courier article on the campaign, are below.

Now it’s time for us to get down to work.

Removing Calhoun will require sustained work and effort. The monument will never come down until those keeping it in place feel pressure from multiple sources, and realize that there won’t be a compromise.

If you aren’t already actively involved in the Charleston campaign and would like to be, please reach out—we need your help to carry out plans in the works for the coming weeks and months ahead.

And if you have a particular way you’d like to contribute, reach out and let us know. Put it into an email to [email protected].

Below are photos of Make It Right Project-designed posters around town, a photo from our kickoff event, and a brand new piece on MIR from the Post and Courier.

They Helped Bring Down Silent Sam. Their New Target: Charleston’s Calhoun Monument

Read More at the Post and Courier.

Make It Right Director Kali Holloway’s Article on Loyal Slave Monuments Published in the Nation

‘Loyal Slave’ Monuments Tell a Racist Lie About American History

These monuments—nearly all of them still standing—prop up the fantasy that slaves were happy, loyal, and devoted to those who enslaved them.

By Kali Holloway

The following is an excerpt of an article that was originally published on The NationClick to read the full article online.

As America’s racist historical myths go, the loyal black slave is one of the most enduring, destructive, and tightly held. Emerging from the white Southern racial imagination in the 1830s, the faithful slave personified slave owners’ defensiveness against a growing abolitionist movement and its condemnations of slavery, and slaveholders, as evil and immoral. The loyal-slave trope insisted that enslaved blacks labored for their enslavers not out of self-preservation and deeply instilled fear, but as an expression of love, fidelity, and devotion. After the Civil War ended in their humiliating defeat, white Southerners attempted to retroactively justify the Confederacy with the “Lost Cause” ideology, an ahistorical narrative that further reimagined the Old South as filled with happy enslaved blacks. The loyal slave became a stock character in slavery apologia from Gone with the Wind to pancake-mix ad campaigns to—perhaps less famously—a little-known subgenre of Confederate monuments. Nearly all of those overtly racist memorials still stand in sites around the South.

As with Confederate monuments generally, loyal-slave markers communicated not only the white South’s nostalgia for a counterfeit version of what once was, but also its belief in what should have been. Constructed not during slavery but between the 1900s and 1930s, like nearly all Confederate monuments, loyal-slave markers served as the visible component of an anti-black backlash against black civil-rights gains. In the face of African-American empowerment struggles, loyal-slave monuments telegraphed the idea that slavery had been the natural state of things. Faithful-slave markers also warned black folks working to overturn the racial-caste system in the late-19th and early-20th centuries that they risked the same brutal violence that had kept racial order during slavery. In fact, black defiance had manifested in 250 slave uprisings, more than 100,000 escapes via the Underground Railroad, and thousands more escaped slaves’ joining the Union Army before slavery was abolished in 1865.

[…]

The above is an excerpt of an article that was originally published on The NationClick to read the full article online.

Take ’Em Down Everywhere Conference in Jacksonville Makes Waves

This past weekend, I attended the Second Annual International Take ’Em Down Organizer’s conference, from March 22 to 24, hosted by the TakeEmDownJax group in Jacksonville, Florida. The group that turned out—activists, organizers and aligned supporters there to engage, exchange and learn—was truly incredible.

For three days, the group had critical, necessary conversations about what this work means, why we do it, how best to carry it out, obstacles we face, ways to be and do better, failures and successes, future plans and goals, and the true meaning of liberation.

An amazing bus tour of Jacksonville was led by Rodney Lawrence Hurst Sr., a civil rights legend and author of It Was Never About a Hot Dog and a Coke. We stopped by a remembrance of Vernell Bing Jr., a young unarmed black man murdered by Jacksonville police officer Tyler Landreville, who is still employed by the Sheriff’s Office. A rally held in Jacksonville’s aptly named Confederate Park—home to the Confederate behemoth currently being targeted by the Make It Right Project—drew a fantastic crowd, and I was honored to be included on the list of speakers. That was followed by a panel, a humbling experience for me to sit with so many key voices in this movement: Wells Todd of TakeEmDownJax, without whom this conference wouldn’t have happened; Michael “Quess” Moore of Take ’Em Down NOLA, the group that did the heavy lifting to take down Confederate monuments (despite New Orleans Mayor Mitch Landrieu being given the credit) and that inspired Take ’Em Down chapters around the country; Maya Little, the UNC-Chapel Hill activist whose protest of Silent Sam gave the removal effort national visibility; and Rev. Ron Rawls of St. Paul AME Church in St. Augustine, Florida, whose thoughtful answers and uncompromising voice repeatedly brought down the house.

I cannot give enough thanks to TakeEmDownJax’s organizers—there are too many to name here, but there are so many dedicated folks—for putting together this inspiring event. You really put together something special. Thanks to all the incisive and committed folks who attended—including a special thanks to the brilliant folks from Take ’Em Down NOLA, who offered so much wisdom and love.

Check out pictures and footage below.

Make It Right Project’s Jacksonville Billboard Calls for Removal of Confederate Monuments as City Hosts Take ’Em Down Everywhere Conference

The Billboard

The Make It Right Project erected a billboard in downtown Jacksonville, Florida, today calling for the removal of monuments to the Confederacy—specifically targeting the city’s “Monument to the Women of the Confederacy.” The billboard points out the shamefulness of Jacksonville’s Confederate statuary, which glorifies and honors a nation founded explicitly on the cornerstone of black chattel slavery.

“According to the inscription, the women honored by this monument ‘gave their all’ to the Confederate cause, which was the enslavement of black human beings in perpetuity,” said Kali Holloway, Director of the Make It Right Project. “It is an ethically bankrupt and morally indefensible cause, which this statue has nonetheless represented for more than a century. Today we loudly call for that misplaced reverence—of racist violence, supremacy and power—to end. Now.”

“The Confederacy: Wrong Side of Slavery. Wrong Side of History,” the signage reads. The billboard follows other MIR billboards demanding Confederate monument removal erected in Seattle, Washington; Raleigh, North Carolina; and Charlottesville, Virginia. Located along I-95 West, 300 feet north of Kings Road, the sign is up days before the “Take ’Em Down Everywhere” Global Conference.

Take ’Em Down Everywhere Global Conference — March 23, 2019

TakeEmDownJax hosts the Second Annual Take ’Em Down Everywhere Global Conference this Saturday, March 23. The convening brings together activists from around the country and world who are dedicated to dismantling white supremacy and reckoning with its ongoing legacy in every form, including its most visible manifestation—monuments glorifying systems of racist oppression and their defenders. Public events will be held downtown, including a rally at 3 p.m. in Confederate Park at 956 Hubbard Street, followed by a panel discussion that will include Make It Right Project Director Kali Holloway, to be held in the International Brotherhood of Electrical Workers (IBEW) Union Hall at 966 North Liberty Street at 5 p.m.

“We know these monuments were not erected right after the Civil War, but from the close of the 19th century through the second half of the 20th,” said Wells Todd of TakeEmDownJax. “Putting Confederate soldiers and racist, pro-slavery politicians on literal pedestals sent a threatening and intimidating message to the African-American community. These statues were tied to the legally mandated segregation and widespread disenfranchisement of African Americans, and they are inextricably connected to inequities that persist to this day.”

The list of confirmed speakers and panelists is as follows:

Mary Cobb of the Women’s March St. Johns, who will discuss the theft of a marker dedicated recently to an African-American man lynched in St. Johns County

Maya Little from Take Action Chapel Hill, who led the fight to remove the statue of Silent Sam from the UNC-Chapel Hill campus

Kali Holloway from the Make It Right Project, a campaign dedicated to taking down Confederate monuments and telling the truth about history

Michael Quess Moore of Take ’Em Down NOLA, who successfully led the effort to remove numerous New Orleans Confederate markers

Rev. Ron Rawls of St. Paul AME Church in Lincolnville, speaking on the struggle to take down the statues in St. Augustine

Ben Frazier of TakeEmDownJax, who will discuss the effort to remove two statues in Jacksonville

Rev. Phillip Baber on the launching of an initiative to change the name of Robert E. Lee High School in Jacksonville

Holli Rumsey of TakeEmDownJax, who will break down myths surrounding these symbols of the Confederacy

JoAnna Brown, a spoken word poet

Kara Lane, a student leader at Robert E. Lee High School

 

The Make It Right Project

The Make It Right Project is dedicated to working with multiple groups—activists, artists, historians and media outlets—to take down Confederate monuments and tell the truth about history.

Dallas Activists One Step Closer to Confederate Memorial Removal!

Last night, the Dallas City Council voted 4-11 to take down the Confederate War Memorial in Pioneer Park. Dallas anti-racist activists deserve tremendous credit for making this vote happen. For years now, they’ve been unstinting in their calls for the monument’s removal—employing methods of protest from the traditional to the wildly creative. Thank you for all your hard work and tireless effort.

This isn’t the end, of course. The Dallas Landmark Commission will now take up the issue, and that decision may be “appealed to the Dallas Plan Commission since the monument and the location in the Pioneer Cemetery are both historic,” according to a local NBC affiliate. “The issue would then once again return to the City Council for a final decision, but Wednesday’s vote is a very strong indication of what that final decision will be.”

The monument, which has stood since 1896, features a Confederate soldier atop a lofty 60-foot pedestal and ringed by statues of Robert E. Lee, Stonewall Jackson, Albert Johnston, and Jefferson Davis. Erected by the Dallas chapter of the United Daughters of the Confederacy, it’s located in downtown Dallas, just across the street from City Hall. The statue is one of the Make It Right Project’s 10 Most Unwanted statues.

Congratulations, again, to Dallas’s activists, whose sustained outcry over the last three years has led to the removal in September 2017 of the statue of Robert E. Lee at Lee Park, the renaming of the park to Oak Lawn Park, and the 2018 changing of multiple school names that formerly honored Confederates.